Grimes’ third studio album is a murky, catchy triumph that takes plenty of successful risks

Recorded over three weeks in a darkened room, the third album from Canadian singer/producer Grimes, a.k.a. Claire Boucher, packs an idiosyncratic punch. At once grating and soothing, melodic and dissonant, Visions manages to sound like a pop record above all else, with contorted melodies that seep into your brain. Boucher tangles up her eerie falsetto with crackling beats and pinging synths, resulting in a gnarled amalgam of textures—electro-pop rendered as splatter art. It's fascinating and wholly original all the way through.